Wednesday, December 30, 2015

Iceland Revisited

Continental Divide Iceland



December ten years ago the band stood on the path between the European Continent and North America. I know because there was a sign that indicated as much--This is the Continental Divide. The days were short maybe just a few hours of light and we had crept down the side of an icy cliff to get there. I was perplexed by the physics of it all and why we didn't slide to our deaths. Our hosts showed incredible hospitality and I trusted them to keep us alive. We played two shows in Reykjavik, but when not playing we were escorted around town and into the volcanic countryside for sightseeing. On the way in from the airport we went straight to the Blue Lagoon and experienced the mineral rich hot spring water and floated on our backs drifting as close to where the streams emerged from the earth as possible without getting scalded. Steam hovered above the surface. We scooped handfuls of mud from the bottom and covered our faces before showering and driving into the city to our hotel. We played, ate, and drank at a bar owned by Damon Albarn. When we departed Reykjavik after a few days of dusk and darkness it seemed like there was a conspiracy to keep us there. We had a plan to visit the Blue Lagoon again on the way to the airport, but the only road from the city to the airport was shut down by the police and our leisurely departure turned into a mad circuitous dash through tundra, volcanic rock, and sheep. I turned out that the rush was for naught as our flight out was severely delayed because of weather back in the States. Hours later we departed but were forced to land in Minneapolis because Chicago was hit by a blizzard. The airline put us up at a hotel decked out with taxidermied wildlife within sight of the Mall of America. The next day the land with fire but no ice was now in the past as we flew into Chicago --frosted and white as far as the eye could see.



Thursday, December 10, 2015

El Niño and The Who

This December El Niño weather touched off something in the memory bank. Forty years ago I was a freshman at University of Kentucky. The Who was coming to Cincinnati and nobody in my circle had a car. Each of us took turns calling the local fm rock station to convince the station to take a bus there. They had done it before with other concerts-- for a combined fee they would give you a ticket and a spot on the charter-- the Bozo Bus it was called. It worked. The week of the concert, the temperature was in the mid-sixties. I remember walking to classes in shorts that day. 
The bus ride was a blast--it was truly the Magic Bus. I remember the driver saying, "If you all keep up what you're doing back there, I'm going to get high, and I don't think you want that."
We had nose-bleed seats but it didn't matter-- this was an amazing concert. Toots and the Maytals opened although most of the stupid crowd booed and threw things at them. Townshend came out and chewed out the idiots. The Who opened with Can't Explain, played the hits from Who's Next, introduced one of the first ever laser light shows during a Tommy medley, and even brought out the best of the Live at Leeds set. Keith Moon was great! 
As we got back on the bus a heavy snow began to fall. The hour and a half ride to Lexington was like a dream. This was only my third concert and despite being an arena show, I long considered it my favorite of all time. 
Here is the set:

Wednesday, November 18, 2015

Love and Mercy

 
Saw the movie, Love and Mercy, and really enjoyed it, primarily the studio scenes. The Wrecking Crew! I have a somewhat varied history with the Beach Boys. They were my second concert, opening for Chicago at the Chicago Stadium in 1975. Brian Wilson was not in the band, and I can't say I was that thrilled with it. My friend Gary was a Beach Boys nut and we used to drive around in his 1969 gold GTO with the top down listening to the greatest hits.
 
Later, during my college sophomore year at University of Kentucky, a few guys wanted to participate in  a Gong Show competition at the dorms. The idea was to be the Blanding Beach Boys, wear polo shirts and white pants, and play a few Beach Boys songs. I was asked to join because I had a bass. Notice I didn't say that I could play bass. I had recently purchased a Gibson EB3 copy with a small Marlboro amp. I was in the process of teaching myself. Anyway, I sang bass and played bass; a pretty nifty trick for a newbie. We worked up Fun, Fun, Fun, Surfin Safari,and Help Me Rhonda.  The judges loved it, although they said we sounded more like Led Zeppelin than the Beach Boys. At the end of our last song I did a roll on my back and flipped back up while playing. I was an excitable boy indeed. It was my first time on stage and I milked it. I got my picture in the school newspaper!
 
I was totally oblivious though to the Pet Sounds/ Smile era of Beach Boys songs. For one, I just wasn't that interested. I was more into distortion and guitar energy and the genius of Brian Wilson was lost on me. Early on as a musician I had some good friends who played pure pop music inspired by Brian Wilson. My good friend Ric Menck, who was instrumental in  spreading the word about  eleventh dream day, had a series of brilliant pop bands that spearheaded indie pop in the eighties. He was absolutely adored in England.
When edd would roll into NYC to visit the home office, our A&R person would let us rummage through the Atlantic vaults at 75 Rockefeller and fill our mitts with product. I remember picking up the Brian Wilson solo record which was a promo interview record with snippets of songs. I don't remember it holding much interest for me--I did listen to it at least once, but I don't even know if I still have it. Now that I've just heard the song Love and Mercy from that album I can't believe I ignored it. I can't stop playing it. I'm also diving back into Pet Sounds and Smile a little. I've got friends who know every inch of this stuff, and I know I'm late to it, but hey, that's the great thing about music--you can always go deeper.

Wednesday, October 14, 2015

Oh My Cubs' Soul

I have recently stated that I have very little heart left to break when it comes to my Chicago Cubs.
Nearly half of it was stolen before I was even a teenager; actually it sort of rotted away over the excruciating days of August/September, 1969. Instead of the agony of losing a one game playoff, this exercise in suffering came one dropped fly, one gopher ball, one whiff, one loss at a time.

Project to the distant future: 1984. It was a sure thing baby. Magical. I wept like a sad baby listening to Jack Brickhouse and Harry Caray carouse when they beat Pittsburgh to go to the playoffs. I was in my mid-twenties and had never witnessed a major sports championship. The Bulls and Hawks had their own tragedies, the Bears were awful, but the Cubs were headed to a World Series.

Frankly, they were screwed--because of no lights they lost home field advantage. They showed in the first two games at Wrigley they were the best team. But then a ground ball through first baseman Leon Durham's legs loudly demonstrated they were not, at least in San Diego. A fistful of heart followed the ball to obscurity.

1989 Oh well. 1998 fun. until it wasn't. 2003. Goodbye heart.

Only a shadowy sliver remains. In 2008, I went to the second game. It didn't matter if I had anything left to emotionally invest because by the second inning the air was out of the stadium on the way to a thrashing.

So, here we are. Javier Baez hit a shot off that mope Lackey and I turned to Mary and said, "I'm back."

In past days, as more and more people have declared their joy, I have worn a different look.

"Are you mad, Dad?" my son had asked Suessically.

"No, just being serious, Son, I had replied"

But really, I was deep down afraid to commit. Afraid to wear it. Afraid to swear to it. Afraid to bear it.

Schwarber swung his Lil' Babe Ruth swing and followed the majestic flight of the ball with his Lil' Babe Ruth admiration and welcomed me back.


My first game in 1963 was a shutout at the hands of the St. Louis Cardinals, effectively informing me of my place in the world. I didn't know where the bottom was, but it was definitely beneath the top.

But now the top is a little closer, the Cardinals dispatched, and I can feel the feeling of what it might feel like to feel again. To win or lose. I only hope my nine year old son who has all of his heart on the line can handle it.

Go Cubs Go.

Tuesday, August 25, 2015

Ursa Major


 
 
In recent interviews with various band members , the 1995 record Ursa Major has emerged with  what seems to be an unofficial “favorite” status. Released on Atavistic records after three records in four years with Atlantic, Ursa Major is a departure from the grungier early days of the band and urgent guitar driven pop of El Moodio. The band, released from the Atlantic contract and with no plans to return to the major label world or big tours, made a record that would see the expanding musical interests of individual members come together to create new sounds.

At the end of the final road trip promoting El Moodio in 1993, there were a lot of reasons to pull back from the incessant touring and promotion that defined the Atlantic years. For one, we hadn’t achieved the commercial success necessary to justify toting a toddler around the world in vans and Dutch bicycle seats. Nobody wanted to end the band—we felt we had made a great string of records, and we continued to draw good crowds and critical support. It was still fun. With touring over indefinitely, I went back to school to get teacher certification, Janet sunk her energy into the next Freakwater record, and Doug was getting Tortoise off the ground. By mid 1994 though, a new batch of songs emerged and we began to record at Idful with Brad Wood. Atavistic records, which had been behind the Making Like a Rug video, was very interested in working with us again. Wink came up from Louisville and we began to create the record in the studio. This was unlike any previous record because there really wasn’t much rehearsal or workshopping of songs—this one was a studio record, and we built the songs as we went along leading to the experimental elements that separate it from previous records.

The record begins with History of Brokeback, a McCombs generated instrumental with changing time signatures that would signal to any listener that eleventh dream day was not looking to join in the Wicker Park frenzy that was swirling around Liz Phair and Urge Overkill. The mood of the song shifts back and forth from ominous to upbeat, and while it may be one of the more complex songs in the edd oevre, it is very hooky in its own way. And the title was a precursor to one of Doug’s future bands.

Occupation, or Not begins with acoustic guitar and brushed snare, another departure from the usual full-on assault of electric guitars charging out of the gates. This is my castle, this is my home. Revolution always looms. The first words of the album perhaps summarizing the fact that things were changing. A shakeup was surely due. The guitar solo is not a solo. A slide scraped across distorted strings. No bombastic ending.

Flutter is a mother’s love letter to her son, a musical one at that. You are the most beautiful angel I have ever seen. Once again, this was a softer kind of pop song, with rhythmic complexity and strings. Atavistic also shot a video for this at Logan Auditorium (and yes, John McEntire on drums!)

Orange Moon closes out side one with a more typical edd sound, although this is one of the first songs with a nonstandard tuning. 3 chords soft louder loud soft loudest. The lyrics for this one might sum up my prevailing mood at the time. As I started working toward a new career in teaching, I wasn’t far removed from the life of a touring rock musician, with the attention and perks that went along with that. At the same time, Wicker Park where we all lived, was blowing up as the hottest scene in the world. The sky is for sale by the chunk. I didn’t have regrets about dropping out, but at the same time I felt betrayed by how Atlantic failed us. But the moon that I held has been foreclosed it’s not for sale. I felt conspicuously absent from the hoopla and somewhat hurt. I’m not sure how the others in the band felt, but they were in the process of creating new genres of music. I seriously had no desire to be back in it—the major label thing was a game that got old. No wish to wish upon that star it seemed too empty it seemed too far. So really, it’s about wanting something, but knowing that you don’t want it ultimately. I was no rock star, not even in my imagination. The moon is fake it floats in space blank witness night it’s made me crazed. The final refrain “They won’t let it go” has a couple of possibilities—it calls out the labels as overlords—the band works for them, and in the long run all the people surrounding the band make their money. The bands are product with a limited shelf life and can be easily replaced by the next big thing. I was more than hurt on this song, I was pissed. And I totally let it go after that song.

Taking Leave was written and recorded after Ursa Major was done. Wink had gone back to Louisville. Hey—you write a new song and it’s your favorite. Tomorrow looms oddly again—another lyric that places me in an awkward state of being. I’ve shown that I can take a punch. It has me worried. See—I’m not hurt! But maybe that’s because I’m numb. Oh no, the beginning of emotional withdraw!  I love this song—the way Janet and I weave vocals in and out, Doug on a six string bass. We recorded this after Brad left for the day. McEntire and Casey Rice ended up being creative forces in the studio!

Bearish on High was originally called Orange Moon. It has the line, orange moon I pine for you. The typeset instructions got screwed up and instead of wasting album sleeves, we decided to switch titles. No big deal, the themes are pretty similar. I believe there is a feeling of defeat. I resolve to erase that thought. I was definitely grappling with the career change. You can watch the sun set in the west and wonder when it ever left. But I was happy, going to school, working at the Rainbo, and playing lots of tennis. I can't remember what I found so ironic at the time, but I was confident enough about life that it had me shouting it gives me faith!

Nova Zembla, title provided by Nabokov, who I was newly discovering, was perhaps the only between song noodling that ever made it to an album. Wink provides the clean guitar acrobatics as well as the storm clouds that roll in.

Blindside comes out of the chaos-- a slow build up of dark clouds leading to the storm. He knew he should go inside. He knew what was coming down.  The only solo on the record, but not really a solo. Maybe an allusion to the gang violence that surrounded us in our neighborhood. Maybe more hedging against emotional investment. Maybe both.

The record closes with Exit Right, pretty apt stage direction for getting off the big stage. On your knees you never beg, you just get used to being closer to the ground. A humbled exit, but pride intact. One of the few songs where Janet sings my words. The chords and melody were hers as I recall.

A right different record by what precedes it.

And the start of a band with very different work habits.

There is a part of the Ursa Major story that has been untold to this point, and it concerns a certain Matthew "Wink" O'Bannon, a "brother" of mine who I resemble in so many insane ( or sane perhaps) ways. He had better hair.

Wink had been a member of edd since he took over for Baird halfway through the Lived to Tell tours. He was a demon on guitar, the kind of player who I imagined had actually made the deal at the crossroads. He was incredibly good on stage and in the van and after the show, an all- round great band and travel mate. Oh, he had his moments (the nickname 'El Moodio' was mostly bestowed on Wink because of his horneriness born out of fierce self-hatred-- I fell under the blanket of the nickname due to my shared July moon child birthday and own spells of anguish), but Wink had made playing in the band really, really fun.

But what had made Wink so great on tour doing a live show was a bit out of skew with where the rest of us were coming from recording Ursa Major. Without a doubt, and I let him know it emphatically, I think Wink's playing on the record is great and adds immeasurably to the songs. He was inventive and cunning with his Stratocaster. There were a few instances though, where Wink played fairly straightforward parts, that although technically great, were too "rock" for what we wanted for the songs. He was not in town for the mixes and we made group decisions where parts were cut.

When Wink heard the mixes he was livid. I can only imagine the curses that were uttered. Wink wrote a letter, several pages long that outlined his outrage. He gave us three choices-- I only remember 2 of them—the third may have included a horse’s head:

Completely remove his parts from the record. Sever him from band. Die.

Keep his parts, but pay him as a session musician ( since this is how we had treated him).

We decided to keep his parts, which we loved, and paid him the rate he had calculated. It was less than Nashville scale. We parted ways.

We released the record to much interest, and took great pleasure in the shows to follow. Our only band issued 7” came out --Orange Moon/ I Got a Thing (Funkadelic song with Wink out of his maggot brain amazing) City Slang put the record out in Europe.

 We enlisted several guitar players over the years to stand in the shoes of Wink O'Bannon. Ira Kaplan was first and came into town for a show at Lounge Ax. Ira also joined the band for a short tour of Europe to promote Ursa Major. As great as all this sounded, we failed to lure him full time.

The vinyl seems to be out of print on Atavistic, but there are many ways to listen to the record in the digital world. We invite you to do so and judge for yourself.

 Ursa Major.

Sunday, August 9, 2015

The Rainbo Club


The intersection of Division and Damen in Chicago, Illinois will always be the center of the universe for eleventh dream day. The Rainbo Club that has stood for nearly a century on the southwest corner is home sweet home. Dee Taira who became owner 30 years ago is incredibly underappreciated as one of the most important people in the Chicago music scene. All of my best friends are there today or have been through there.

On Sunday evening August 16th we will be playing a show there to celebrate our 30 years together.

Did you know?

In 1983/1984 when the band was still a 3 piece we rehearsed in an old Illinois Bell building on Western Avenue not too far south of North Avenue where our bass player, Shu lived with her boyfriend. After rehearsals we often went over to the Rainbo for a beer. Throughout  most of the decade the bar was occupied mostly by artists and Columbia/Art Institute students in the later hours and the older drinkers, neighborhood throwbacks to the Nelson Algren era during the post work happy hours.  I wrote a song, It’s Not My World on one of those afternoons as the light from Damen poured into the dark bar overhearing a conversation among the old-timers. Phil was a favorite. He flirted with the young ladies and cracked a bunch of corny jokes. He wasn’t there when the bar was a speakeasy during Prohibition, but he had been coming in for a long time.

Doug was the first of us to get a job there, at the door, where he could sit and smoke. He was very good at his job.

Dee hired many musicians, artists, playwrights and gave them the freedom to come and go. I got hired in 1989 just before Beet came out and went out on a tour shortly thereafter, but was able to bartend at the Rainbo when I got back, a trend that would continue for years. The Rainbo has been an anchor for musicians in Naked Raygun (John), Tortoise (Johhny), Precious Wax Drippings (Jimmy), Eleventh Dream Day (Janet mopped floors!), Joan of Arc (Tim) , The Dishes (Sara), and Disappears  (Jonathan) among others. Ken, Michael, Matt, Braden, Bettina, Andy, Andy, Gary, Stephan, Tom—I worked with a lot of great people on Fridays and Tuesdays.

Eleventh Dream Day set up on the floor near the pinball machine and played an electric Sunday afternoon show sometime around the Prairie School Freakout release. We played a few acoustic shows on the stage over the years too. The stage has seen some great performances.  Yo La Tengo, Palace, Freakwater, Brokeback, Dos... Can’t believe I missed the High Llamas!

The Rainbo hosted a record release party for Beet after the Lounge Ax/WXRT recorded show.

There were many great art exhibits, but the most memorable was Liz Phair’s. Artists drank for free at their openings and Liz had to get cut off after  taking full advantage.

I first met my wife at the Rainbo! I’m sure there are dozens more of you out there that first met at the Rainbo too. The shape of the bar was very conducive to a flirting glance.

The Rainbo hasn’t changed much since I stopped working there in 2003 after 14 years of Friday nights. It’s one comforting thing in life. See you there next Sunday!

Thursday, August 6, 2015

Everybody Loved Him


Everybody loved him. Ever read that in an obituary? Maybe he (or she) was a gym teacher or an English teacher. Who is everybody? Did everybody include the slow, chubby kids who got picked last? Did everybody include the struggling reader? I doubt it.

I read an obituary today for my old gym teacher, Howie Helfrich, who died at age 90. I loved him. It wasn’t because I was the starting point guard on his freshman basketball team. No, I was barely over 5 feet tall, 95 pounds. I was pretty great on the playground with a deadly shot, but on the Glenbrook North basketball court I was the last player to play on the “C” team that was created to meet the demand of everybody who loved to play. And even then I didn’t get to play.

 I did get to practice 4 days a week. Drills, drills, and more drills. For every time a mistake was made in a drill we had to run one ladder at the end of practice. Ladders killed you. Howie tried. He would scream at me, “C’mon Riz!”  I was fundamentally awful at jump shots and layups. I was too short to successfully keep the ball alive on the backboard during rebounding drills much to the dismay of my teammates who had another ladder added due to my crappiness. When I was 14 that year, I was still the shortest boy in school. My 8th grade yearbook nickname was “Shorty” and it wouldn’t be until junior year that I would shoot up to over 6 feet.

Howie was the first person to ever call me “Riz.” Seems obvious, I would think, but thanks to Howie, Shorty was forever off the list (as well as Ricky Retardo and Ritzo Cracker).  Even though he rode me, it was not with sarcasm. Sarcasm is the teacher’s deadliest weapon. It is not silent, but it is stealthy. Sarcasm hurts kids. It is also why teachers think kids love them. Kids laugh at sarcasm, at least the kids who aren’t the targets. Howie wasn’t sarcastic, but he was funny. He never made me the butt of his joking though. He was an ex-Marine high school gym teacher, but he never abused his authority.  He had a bit of humility.  When he pointed his finger at a spot on the court we all noticed he was missing his ring finger. This was the finger that got caught in the net in his college days. I think he understood what it meant to lose.

 Most of the season Howie had me at the scorer’s table keeping stats. He had tried to teach me to be a basketball player, but I was better at scoring with a pencil than a basketball. I got into one game. “Riz, you’re going in,” he barked with a grin. There was a minute and a half left in a game we were out of. Howie substituted me at center. I guess that may have been his idea of a joke, but I didn’t think it at the time. He knew I had the competitive spirit of a lion. I was tenacious on “D”.  I did make the stat sheet.  I got called for a foul trying to guard the opposing big man. I took the ball and threw it against the wall in protest. Technical foul! Howie was proud I think.

I was definitely one of Howie’s favorites in racket sports. As a sophomore you were able to select what you did for physical education. I took racket sports which meant you played tennis in the fall and spring, and badminton indoors in the cold months.  It also meant that I didn’t have to swim. Freshman year had been a nightmare, and gym coaches were part of it. Swim class was the worst. We had to swim naked. In the mandatory pre-class shower, the coach would hover over you in an effort to enforce cleanliness (even though the over-chlorinated pool that turned swimmers’ hair blonde would kill any germ). “Spread those heavenly gates gentlemen,” he would admonish with a phrase that made most giggle, but in retrospect was very odd. And I had not begun puberty which meant there was not even the fuzz of a peach on my exposed body. I was embarrassed.  In the pool was not better. One kid who I’m sure experienced 5 o’clock shadow would not leave me alone. During water polo (a great sport for a kid who could barely swim), he would dunk me and hold my head under water until I thought I would drown. I know the teacher saw this. He let it persist daily. Sadist.

So I took racket sports, and I loved it. I was really good at both tennis and badminton which helped, but Howie, who had been a state champion badminton player in his day, relieved the tension of gym class with his easy-going smile and attitude. He had been a tough, but fair basketball coach, but in gym class he was fun. Fun meant that he didn’t try to embarrass anybody like the other assholes. Fun meant not having to climb a rope to the ceiling while the teacher and the rest of the class “encouraged” you. Fun meant not getting called “Ladies.” Fun meant getting a chance to play without a fear of failure.

Howie Helfrich was the only gym teacher I had who wasn’t a dick. I know that is not a line that would make the obituary, but for someone who grew up in the school culture of the Seventies it is the highest praise I can bestow. Whether Howie was yelling at me to jump higher or run faster, I remember his smile more than anything. It was always behind whatever face he was making. The Riz will miss you Coach.

Monday, August 3, 2015

Tara Key

eleventh dream day isn't the only band that has been around for 30 years--our pals Antietam also played their first show in 1984.
I had seen Tara Key and Tim Harris first in Lexington, Kentucky when the Babylon Dance Band opened for D.O.A. I was amazed by Tara and the way she could weave from power chord riffs to melodic lead lines without blinking an eye. Tim's bass lines had that same anchored, yet snaky feel that I loved in Joy Division and Pylon--the perfect canvas for Tara's Pollock spattering of sound.
A few years later when I was visiting a friend in Louisville I met Tara, Tim, and their drummer Janet as they emerged from the practice room at 1069--the friendly neighborhood punk rock house where my friend Kate lived. Turns out that was the day that eleventh dream day was born with a gleam in the eye.
Tim and Tara departed for New York then Hoboken then New York and started up Antietam--we were lucky enough to catch one of those early Hoboken gigs. We played many times together in the eighties, in New York, in Chicago, and Derby Eve shows in Louisville.
When we recorded El Moodio at Sorcerer in NYC, we got Tara to lay down some guitar on The Raft. She later joined us for the Stalled Parade tour in Europe and we got to experience the idea that two Les Paul guitars turned up really loud can be a sonic joy. We decided to make a record together by trading adat tapes and building songs a track at a time. That became the instrumental record Dark Edson Tiger. We recorded a second one in much the same manner (although the adat machines were retired) ten years later.
Tara and Tim have been two of my best friends moving into a fourth decade, and Tara is my musical kindred spirit. She is my favorite guitar player bar none. When Tara is in a "zone" she is the most inventive and sonically exciting guitarist period. Period.
We play together again at the Mercury Lounge in NYC on August 21st.

Friday, June 19, 2015

Minutemen


After hearing Minuteman bass player Mike Watt wax nostalgic on Mark Maron’s podcast, it of course set off my own string of memories about meeting the band for the first time. I had seen the Minutemen for the first time on a trip to L.A. around 1982—a show that blew me away in terms of the amount of energy a band could bring on stage. Watt broke a bass string which wasn’t unusual for him, but hard to fathom as a bass player myself.

The band made it to Chicago in 1984, playing the long gone West End on Armitage. There were two shows scheduled—all ages early show and an over 21 late show. I had bought tickets for both. The West End was my favorite place all time to see a show in Chicago. It was tiny, but there was a half-moon contour to the stage that made for more space to watch the band up front. Add the “balcony” to the mix and you were right there with the band. Some of my most memorable concert experiences happened there. Yo La Tengo (1st Chicago show), Husker Du (Sunday matinee), The Feelies (best concert ever?), Green on Red, Alex Chilton (1st time back in 80s) were just a few.

The Minutemen were great in the first set. They tore the place up. D. Boon was my new guitar hero “not soloing” on his Telecaster. It seemed like they were playing every musical style at the same time, all in songs that were less than 2 minutes long. I was happy that I’d be seeing them twice. But the second show would never happen.

The band might have figuratively been tearing up the club, but the owner started to literally do it. He was fueled on some combination of drugs and liquor, straddled his motorcycle into the club. He threatened to throw a bar stool at the mirrored wall behind the bar—luckily that didn’t happen. Sue Miller, who booked the club was trying in vain to get him to calm down. He smashed the peanut dispenser near the front door. This all probably didn’t last long, but we all high-tailed out of there when there was a chance to do it—we hung out in the street wondering what would happen next.

The news came down that the second show was canceled. We were all mingling out front with the band marveling at the chaos when Frank Loose, drummer for the band Get Smart, suggested we go over to his apartment on Ashland for an impromptu party and invited the Minutemen to join us.

It turned out to be a pretty great consolation for missing the second show. I spent most of the time listening to Watt rant, stuff that he has probably ranted about hundreds of times since, stories about his “ole man” and growing up in “Pedro.”

The first bass player in eleventh dream day, Shu Shubat, had D. Boon cornered for the whole party. She had him in a spell and they spoke about who knows what for hours. He was such a sweet gentle soul from my brief encounter. When we found a litter of kittens at our practice space later that year, there was one who stood out with that same personality and I named him D. Boon.

The Minutemen embodied all that was good about the indie scene; the comradery, the energy, jamming econo. They brought poetry to noise and paved the way for a lot of bands. Boon, Watt, and Hurley—three guys bringing very unique wavelengths into one amazing jam.

Monday, June 8, 2015

California





In 1988 with Prairie School Freakout hot off the presses, edd hit the road with Freakwater and headed west for the first time in Baird's brown Econoline. Raul Stober was on the trip too! We first hit Tempe, Arizona. A great rowdy crowd--some transplanted Chicagoan worked there as I remember. The first verse of Teenage Pin Queen (from Beet) was inspired by the spindly cacti surrounding the club.
We played the Gaslight in L.A. next and stayed with Keith Holland at Amoeba Records HQ.
Santa Barbara was the next night, and as the song Michael Dunne (Beet) described, it was rainy and nobody showed up at the club. There was the aforementioned guy sitting at the bar--a regular at Mel's who was one of the few who listened to us. He really did recite Rimbaud in French and Rilke in German--he really did write a poem about his teeth on the spot and gave it to Cathy Irwin.
Did we play in San Francisco on that tour? Could have been the time we met Sandy Pearlman. He was there checking us out! Maybe that was the next time when we were touring on Beet.
We hung out some more in L.A. before driving down to our show in San Diego. Janet wasn't allowed to be in the club until she played--under 21!
After that show, we drove through the desert all night, planning to drive all the way home without stopping, sun coming up and making everything a strange glow. We got pulled over the first of three times on our way back to Chicago. Trooper asked if we were running guns from Mexico and if he could search the van. Who said yes? Raul and I sort of got busted for less than a joint between us. Never heard from Arizona again on that one. Pulled over in Texas by a trooper who was going the other way on the interstate. He said the passenger wasn't wearing a seat belt. Truth is we had a beat up van and we were young and scraggly. By the time the landscape changed to something Midwest familiar we were ready for a breakdown.
We needed a new engine. We broke down in Sullivan, Missouri just several hours away from home after driving straight through from California. It would take three days to find and install a used engine--we holed up at a motel, watched Andy Griffith reruns, played cards, and drank lots of beer. One night we walked over to the bowling alley near the motel. Listen to verses 2 and 3 of Teenage Pin Queen--the scene is pretty well described.
We would tour the West a few times after this, but this was going it Econoline, and we lived to tell the stories.

New York New York

New York has always been a special place to play. I remember the first time going in to do a show--we booked ourselves onto a bill at CBGBs with Prairie School Freakout out. I was nervous on the drive as we came in through New Jersey--Baird actually drove us the wrong way out of the Lincoln Tunnel into the bus exit at Port Authority. I had been to New York City many times before, driving in from Ithaca where I worked for A.C. Nielsen in 1981-83, but it was different to be playing.
My first time ever in the city was a drive in to Times Square to visit. I parked my car for $20 in a garage (outlandishly expensive back then), walked toward Times Square with my head in the sky, almost got hit by a taxi, then was offered a ticket for $5 to see the Clash at Bonds International. I didn't even know the Clash was playing that day--it was a matinee and it wasn't sold out--it was a late add-on to their week long run. So, I saw the Clash within an hour of my first trip to New York. I came in for other visits later that year--New Order at the Peppermint Lounge, Gang of Four with R.E.M. opening at theRitz,The Cure at the Ritz, and a blind date with a girl from Jersey that ended up at the Mudd Club.
Walking into CBGBs that first time as a band was a trip. I had seen Tom Verlaine play solo there some years before on a visit, but now the first face I was seeing was Hilly Kristal's with his dog next to him. That night, I forget who we played with, but I'm sure we had a late, late slot on the five band bill. I know we played with Antietam, Giant Sand, maybe Run On at various times--we probably played there 3 or 4 times over the years though and it's a bit of a blur. One night when we were headlining, we were playing an encore. The soundman came on through our monitors loud and clear to us in the middle of the song-"You gonna be done any time soon?"
When we came back to the city after signing to Atlantic, opening for the Meat Puppets, we got out of the van with a few autograph hounds hovering. I didn't know then that these people probably had no idea who we were, but it was nice to get asked for what was probably the first time. The show was one of our biggest, and we had energy coming out of our eyeballs. Verlaine was there backstage with a kind of shroud around his head looking mysterious and it was also rumored that Scorcese was there in the crowd (to see the Meat Puppets, I know)
On our first visit to the Atlantic offices at 75 Rockefeller, we pulled up in our 39 foot R.V. pulling a trailer. I felt like the Beverly Hillbillies. We walked past Ahmet's office, saw him in there, but were advised to keep walking to our little corner of the floor. Then we got the media blitz--Janet and I got interviewed on MTV, but only 2 of us were allowed--we held up Baird and Doug's drivers license to the cameras.
The highlight of all NY visits though was to be able to live there for a month while making El Moodio. We had the chance to stay in Keith Richard's vacant apartment, but it had two floors and a spiral staircase--there was a worry that our then toddler Matt would toddle over the rail. We ended up in an amazing 3 story condo in Little Italy near Prince and Mott next door to Ray's Pizza. It couldn't have been nicer--crisp October beauty and a short walk to Sorcerer Studios to make music. When it was all wrapped up we had a listening party at the studio. Matt had a grand mal seizure and we had to rush him to the hospital. That was the end of the stay.
For a while, the band and/or I made it back to New York at least once or twice a year to play and make music. Those visits have slowed down in recent years but have never really stopped.

Sunday, April 19, 2015

North of Wasteland: The Rest of the Story


The song “North of Wasteland” from the Eleventh Dream Day record Lived to Tell, was based on a true story that took place in South Central Florida in 1980 shortly after my college graduation. I have realized years later that the song tells just a fraction of the story and fortunately, I have lived to tell the rest.

The Song:

North of Wasteland

There was a tree that grew outside my window

Amid the fields of cane and unanswered questions

It held a fruit of fatal mystery

And it soothed me to think that it grew so close to me

In the morning 

There’s never any warning

Except the neighbor’s rooster

Rooster crowing

And the church bells ring

From north of the wasteland

 

I think back to the time

I lived in a trailer

Amid the fields of cane

And unanswered questions

It still seems so absurd

One night outside my door

A wild boar that seemed so lost

We both knew we were caught

In a wasteland

There was no time or place where we belonged

I was wrong

And I knew it from that night on

The Story:

Part One:

                There’s that moment when waking up in a strange bed where you have absolutely no idea where you are; where your world is a late night test pattern of confusion. The crowing of a nearby rooster offered no clues. It was still dark and I couldn’t see a thing. But in the dank heavy air, I knew the space was small. A darting tickle on my leg startled me into full consciousness, and I saw the tiny cockroach scurry away as I lifted the sheet.

                “Oh yeah,” I thought, and as quick as a dart thrown at a map, I realized where I was.

The drive in from the West Palm Beach airport the night before with Sherri in her old Karman Ghia was the start of a new life, a post-collegiate adult life, and now with the girl of my dreams.

As we dieseled past lit highways into the black pitch of a sticky Florida night, I looked at Sherri’s profile and couldn’t quite believe I was sitting next to her. With her green-tinted almond eyes and the start of a deep tan, she had the kind of exotic look that I thought was out of my league. And she had been well out of my league for some time now; hard-to-get couldn’t describe the last year and a half of my frustration at trying to win her over. I still wasn’t used to this new haircut though, a Hamillish bob, the result of a stormy spring when she took scissors to the hair that had never been cut. But the feeling in this verdant place where vines draped the trees was that love and hair would grow and keep growing.

-----------------------------------------------------------------------------------------------------------------

The curtains began to color with the pastels of morning and I took stock of what brought me here. I thought back to the phone call that urged me to quit my job in Chicago, the voice on the other end as seductive as waves lapping gently on a tropical beach. But now I was on my back in an R.V. trailer, the kind that hitched to the back of a pick-up. From where I lay I could see the tiny kitchen sink, and beyond that a toilet visible behind a half-open accordion door. Sherri was close, though not with me; she was in the double wide trailer that sat on concrete blocks just twenty yards away. After whispered good nights following our late arrival we had kissed one last time, and she had shown me to my lodging—“The Rogue” decaled on its aluminum side.

 I wondered when it would be appropriate to rise and make my way to the door of the big trailer, Sherri’s parent’s retirement abode. I noticed from the corner of my eye a couple more cockroaches scurrying on the faucet then into the cabinet. Their night shift was over, and I closed my eyes . Church bells tolled from some place unfamiliar, and I fell back asleep.

 

 

Part Two:

                Two knocks and then too much light poured through the door as Sherri entered The Rogue with a steaming cup of Nescafe.

                “Were you going to sleep all day?” she asked. “My parents will think you’re lazy! C’mon. Get dressed and say hi.”

                I was slightly nervous as I clumsily navigated the too steep metal steps out of the trailer, but as I stepped into this novel space, the sun had an instantly welcoming embrace.

                “Mister Rick Rizzo!”

                A fifty something stocky athletic man with his hand extended emerged from the double wide with a greeting that was at the same time welcoming yet impersonal. His handshake pushed my knuckles together.

                “How’d The Rogue treat you last night?” he half grinned.

                “Just glad to be here sir,” I replied, partly a reflection on my well- mannered upbringing, but even more seeming like a private reporting to duty. Sherri’s dad was a retired army sergeant, my preconceptions of which were informed somewhere between Combat!and Gomer Pyle.

                “C’mon in, let me show you around.”

                As I stepped into this much larger trailer, I noticed it was tethered in four corners by steel cables, an attempt to keep it from flying away in the occasional hurricane winds that swept through these parts.

                “Check it out,” he beamed; gesturing at what I had to admit was more space than I could have imagined. It was certainly bigger than any apartment I’d lived in—two bedrooms down the hall from a spacious kitchen, dining room and family room complete with working fireplace.

                “You must be Rick,” Sherri’s mom entered cheerfully.

                A retired high school English teacher, she reminded me of my own mother with her bright smile and short brown hair.

                Nice to meet you. Formalities. I wanted to make a good impression. I realized that I had a weak reason for being there. A recent college graduate, but no ambition other than being with their daughter.

                As the small talk began to sound even more forced, and Sherri’s parents moved on to their daily routines, I noticed the morning paper on the breakfast table. The West Palm local paper was typically thin, but I knew what I needed and went straight to the classifieds. The clock was ticking on my dead beat status and I needed to see what was out there.

                My bachelor’s degree was in business administration with a focus on marketing. A number of my college friends already had found jobs, mostly through family connections, but this was 1980, a year of double digit unemployment, hostages, and high inflation. The meager list of job opportunities was worse than I anticipated. Drive a truck. Telemarketing.  The best I could do was to call an employment agency and they setup an appointment for me the following morning. It was a start.

                --------------------------------------------------------------------------------------------------------------

Walking out of the air-conditioned double wide into the stifling mid-morning heat, I surveyed the flat horizon of trailers and palm trees. A wasteland.  A few miles to the west, the sugar cane factory let loose the by-product of its enterprise—a sickeningly beyond ripe rotting and somewhat burnt smell that quickly coated my nostrils.

                That night after an all-you-can-eat pizza dinner at a franchise Sherri’s father had an investing interest in, I had trouble falling asleep knowing how the micro-fauna would soon be bustling around my restless torso. I must have dozed off at some point into the Floridian night

 Minutes or hours later I was aware of the presence of a much larger creature and bolted upright. No matter how much I wanted it to not be true there was no denying that something was snorting and making guttural grunts just outside the thin aluminum of my walls. A choice—either lie on my back petrified and wait for death or face it and get it over with.

I slowly opened the screen door.

Somewhat darker than the shadows stood a beast. The tusks that stuck wildly from the sides of what looked like a head with legs told me this was some sort of wild pig or boar.

 It looked at me and snorted.

I said nothing. It would have been weird.

What I thought though, and what the boar seemed to be thinking as well was clear. One of us doesn’t belong here.

-----------------------------------------------------------------------------------------------------------------------

 

                What was invisible that first night driving in was now unveiled in the orange glow of morning as I drove to my first interview in Del Ray Beach. Route 441 was a single lane highway connecting Belle Glade to my future. Driving Sherrie’s VW, I passed horses in pastures, county fairgrounds, migrant workers stooped over baskets, and a turn off for Lion Country Safari. Pick-up trucks with gun racks and dogs with tongues lolling in their flat beds kicked up dust pulling onto the road. It all smelled green. When I hit the interstate though, time seemed to reset as I joined the rush of the morning commute of BMWs and Audis. As I pulled into Porter Paints on A1A, I checked my tie in the mirror poised to join the working world.

                The interview went well enough, I got the job. I was now the assistant manager of a business I had no experience in, but I was willing if not able. The money was crap, but I knew the prospects were slim, and the feeling of going back to Sherri’s parents with a job was worth it. Work was work, and this was work in Florida! The beach was across the street; the Atlantic Ocean visible, a literal sea of possibility. I crossed the road, dress shoes sinking into the sand, unknotted my tie, and squinted into the morning sun.

--------------------------------------------------------------------------------------------------------------------------------

                That evening I enjoyed a cold beer with Sherri’s dad as we both watched the sun set over the trailer park.  I sensed he was sizing me up, and I did my best to survey the landscape with authority.

                “That’s an interesting apple tree,” I pointed toward a spiny looking tree with ripening fruit.

                “That’s no apple tree, that’s a manctineel--the Spanish call it manzinilla de la muerta—little apple of death.”

                He explained how Columbus had noticed that just a few drops from a leaf onto the skin would instantly blister.

                “You know if you took a bite of one of those “apples’ you would drop dead within ten minutes. The interesting thing is that an autopsy wouldn’t turn up a thing.”

               

                I fell asleep that night wondering why he added that last tidbit.

----------------------------------------------------------------------------------------------------------------------------

Part Three:

 

                The next morning in Del Ray Beach at the paint store I was primed to start a new career. A clean cut preppy looking kid not much older than me would be training me before moving on to manage the Boca Raton store.

                I got trained how to mix paint using a variety of pigments squirted into a can of white base. It was easy, and I enjoyed it. I knew I could do this job:

Keep the books. Check.

Receipts, register, check, check.

The first paint contractor came in. Bloodshot eyes. Painters are notorious alcoholics I would come to know, with gruff hung-over demeanors. I was intimidated which I’m sure was the intended outcome. The shift ended. I would survive to work another day.

My third day on the job, things weren’t quite so good. A rich lady with a brand new Lincoln Continental had me load a five gallon container of primer into the trunk. The trunk was deep though, and the container was heavy and awkward, and it tipped out of my grip. Five gallons of milk white paint burst out and coated the fuzzy black interior of her luxury car. I hadn’t put the lid on tightly enough in the store.

She was as nice as could be considering the mess, and didn’t get upset, although she asked me to stop trying to clean it up since I was only making it worse.

The days passed. It was a job. I was working poor, but now I had an apartment in Del Ray Beach and my girlfriend would soon be moving in with me.

----------------------------------------------------------------------------------------------------------------------

Sherri moved in. Her parents didn’t know, so if the phone rang only she could answer it. The apartment was basically a studio converted from a coach house broken into two units. The owner was a widow who turned a blind eye to our sinful cohabitation and the immigration status of the two young Cuban fellows who lived behind us. There was a relief that the tiny cockroaches were out of my life, but here, gigantic Palmetto bugs, cockroaches on steroids, apparently thought the space was theirs.

Life was peaceful though and a routine developed. Work at the store, home for lunch, a downpour of rain at 12:30 which evaporated by 12:45, back home for dinner with Sherri, and an occasional walk to the beach past the Intercoastal waterway with its funky houseboats. The neighbors across the alley (not the friendly Cubans) blasted Eric Clapton’s Cocaine live version at regular intervals punctuating the day. Some nights we took a late night dip in the ocean which might have been romantic save for my crippling fear of man-o-war stings and shark attacks. It was worth the buoyant embraces and salt water kisses though and life seemed good. But then came the day Sherri announced she wanted to be an actress.

------------------------------------------------------------------------------------------------------------------

Part Four:

Yes, Sherri wanted to be an actress. This in itself should have been great news. I should have been happy for her. The thing is, in the last few months she also had wanted to be a nurse, a teacher, and a merchant marine. This last one was particularly troubling. Sherri’s ex-boyfriend was a merchant marine. I had noticed one day on her dresser a letter from this guy, Richard. I asked her about it. They had been high school sweethearts and she swore she was long over him, but there were little things I couldn’t let go. For one, Sherri’s favorite record was Joni Mitchell’s Blue. There’s a song The Last Time I Saw Richard on that record. Her eyes seemed to go somewhere when it came on.

The last time I saw Richard was Detroit in ‘68

And he told me all romantics meet the same fate someday

My name Rick seemed so unsophisticated. Richard was a merchant marine. Traveling to distant ports. Tattooing girls ‘names on his biceps. A salty spray of ocean as he stood on the deck of a ship.

I was assistant manager at a paint store.

All good dreamers pass this way some day

That night I had a dream.  I was back in The Rogue. Hurricane winds started to rattle it back and forth. Cockroaches streamed upward from the sink and toilet. The trailer walls ripped away and I was exposed to the storm. A wild pig ran out from behind the big trailer as the steel cables groaned. Cane snakes slithered beneath what was left of my trailer. The giant smoke stacks of the sugar factory crumbled.  I closed my eyes and screamed silently into the gale.

 When all had calmed, the sun was burning through the clouds. The boar asked me why I was still there. Sherri’s dad stood with a rake in his hands. Gathering the tiny apples of death.

----------------------------------------------------------------------------------------------------------------------

The small theater culture of South Florida was vibrant in the early 80s, no doubt fueled by the presence of Burt Reynolds in Jupiter Beach and a bevy of retirees to fill the seats. The Florida Atlantic University Theater posted a notice for open auditions for a production of Moliere’s The Miser and Sherri figured it was a good place to start.

Auditions were held on a small campus stage in Boca Raton, and each hopeful was instructed to improvise a scene (unrelated to The Miser) based on a suggestion from the director. I’m not sure if that was standard procedure to try out for a play, but I was nervous for Sherri. I thought she nailed it though, and I was impressed.

After the mostly female group of hopefuls finished, Sherri and I were headed for the back of the theater, when I heard the director’s voice.

“What about you young man? Aren’t you trying out?”

I turned, not knowing it was me he was talking to, but I did seem to fit the bill.

I saw that he was addressing me.

“I’m just here for moral support for my girlfriend,” I replied somewhat sheepishly.

“We really have a shortage of males for this play, and I think you should give it a try,” he peered over his glasses.

Thankfully, he didn’t make me improvise. I simply had to read a short scene from a paperback copy of the play. I sensed he was lowering the bar. I did my thing, he said thanks to both of us, and we headed back to Del Ray.
----------------------------------------------------------------------------------------------------------------------


The phone rang. It was late afternoon, Sherri was out shopping. I picked it up forgetting as I often did that I shouldn’t; I might have some ‘splaining to do to the Sergeant.

I was formulating an excuse for why I was there and Sherri wasn’t as I said hello.

“Hi, this is Joe Conaway, I led the auditions last week for The Miser.”

“Oh, hi” I replied. “Sherri is out right now, can I take a message?”

“No, that’s okay. I want to talk to you about being in the play.”

“But wait, what about Sherri?”

 

Nothing was registering for me, but he would quickly give me the necessary pieces of the puzzle.

 

“We thought she was really good, but we really have so few female parts for the play, and there were some more experienced actresses I wanted to cast.”

“I’d like to offer you a role though. I can actually see you as Cleante, Harpagon’s son.”

I don’t remember what I said, but it wasn’t no.

After we hung up, I realized that I had made a huge mistake. There was no way I could relay this news when Sherri got home. I don’t remember what I said, but my reply didn’t have the words, I’ll call him back, no, or sorry.

------------------------------------------------------------------------------------------------------------------------

The Miser ran through the end of July. The rehearsals were a blast, and the rest of the cast was so fun to be around. I didn’t get the hefty role of Harpagon's son, but I did get a line as one of the lackeys.

“I seem to have torn me breeches” delivered in a ripe Cockney got howls of laughter every night as Harpagon chased me off the stage with his cane.

-------------------------------------------------------------------------------------------------------------------------

By the time the play closed I knew I was leaving for Chicago. I wanted to find a band to join.  Sherri had applied to Nursing School at the community college. We weren’t talking to each other much. We had one tearful night when I told her I was going home. I think she was relieved.

Sherri and her father drove me to the West Palm airport. There was a beautiful Florida sunset that night. Sherri’s hair had grown much longer now and she brushed long strands from her eyes. She kissed me on the cheek.

“Good luck, Rizzo. Don’t do anything I wouldn’t do.” Sherri’s father gave me one last strong handshake.

“Yes sir.” I returned it in kind and started for the plane heading north of the wasteland.



 
 



 
 
thank you Mary for your editing and love